Showing posts with label oklahoma. Show all posts
Showing posts with label oklahoma. Show all posts

11/12/10

Troubled thoughts on a trip to Trenchin Slovakia, July 2007

(Note: I wrote this essay 3 years ago but have hesitated to publish it, until now. Why, I have no idea? I had written quite a bit about my trip to rural Slovakia on this very blog here and here. From reading those postings, you could never imagine the kind of conflict the experience awoke in me. Over 3 years later, I'm still sorting through it.)


This week finds me headed to the Slovakia to perform with Frank London’s Klezmer Brass All Stars. We’re slated to perform at the “ethno” music stage of the massive Pohoda music festival along with Boban and Marko Markovic’s amazing brass orchestra. The concept of this stage show is based around a joint recording project we made a few years ago called the “Brotherhood of Brass,” exploring the legion similarities between the Jewish and Rroma musical traditions and the ability of music making to create connection beyond any cultural boundaries. The resulting CD was a minor hit on the World Music scene in Europe, which unlike the States they actually have a World Music scene supported by a eager fan base and media infrastructure. We have toured this show for several summers and working and traveling with these amazing bandsmen has been the experience of a lifetime, let me tell you. From the highest peaks in musical performance and camaraderie to the deepest depths of witnessing anti-Gypsy racism. Quite a ride at any rate, and I always look forward to playing with these cats one more time.

It’s nearly 40 degrees Celsius (well over 100 Fahrenheit) when the taxi driver drops me off at the hotel in Trencin, fully an hour and a half’s drive from the Bratislava airport. I’m feeling ill from lack of sleep and probably the gamey tuna salad served on the Czech Airways flight over, and I actually utilized the airsickness bag provided in the seat pockets for the first time in my life. Now at the “Sport Hotel ostrov Zamarovce” I’m shown my room, which for Eastern standards is quite all right, with a recently renovated and thus fully operative bathroom. But like most of Europe there is no air conditioning like we are quite used to in Texas. The heat is familiar, and with the hotel facing the gently flowing River Van, there are quite a few mosquitoes as well to remind me of summer at home. I make plans to take a short nap and then head into the city center in search of a table fan so that I will be able to sleep in this heat.
After walking for what seems like hours, I locate a supermarket on a major road on the outskirts of town, purchase a nice fan and then head back to the hotel, making note to cut through the old city center to see what I can see. So I’m walking along the central pedestrian zone when I spy one of those handy-for-the-tourists sign posts that says things like “” and "Synogoga>"  Hmmm. Well, by golly, it is Friday evening, shabbes, and all. How cool would it be to daven with the locals in little ol’ Trencin Slovakia?
It has been a long-standing custom of mine that when time in the touring schedule allows, I’ll seek out the local schul and at least get inside it and look around. On the odd occasion, and depending on the Jewish calendar, I have actually been able to daven (pray) with the local Yidn. Like the time in Utrecht Holland where the rabbi there knows my local own Chababd rebbe well and even lived at the Chabad House in Austin for a time. Every now and again I have in fact been the 10th man required for a minyan (a religious quorum,) like at the amazing Sephardic temple in downtown Bordeaux France. Such an occurrence is quite an honor among my tribe, and at the very least you’ll be sure to meet some interesting new folks.

No doubt my Rebbe back home will chuckle aloud when he reads this, as getting me into his services usually require a bribe of paying gig or some such, but even he will know what I mean when I say that I am often more at home with strangers, especially when they are Jewish strangers. Moreover it our collective practice of Jewish ness is all that is required to bind us together. My feeling is that my job after all, out on the road as a traveling Jewish musician from Texas, is to represent Jewish culture and I came quite a long way to do so. The very least I can do is at least behave like a Jew while I’m doing it. Thus, I trot off in the direction of the helpful sign, hoping in my mind they have a siddur (Jewish prayer book) I can make sense of.

Quickly I locate a large white Moorish building at the end of the small triangular public square. From it’s position and layout in relation to the square one can imagine that was the center for the Jewish district of this little provincial town. Viewed from a distance, it is beautiful; but there is no indication that this is a Jewish house of worship. No stars of David, no menorah, no nothing really. There is one little spot high up where you can see the outline of the traditional tablets of the Ten Commandments, and there is a lovely Tree of Life bas relief above one door way. But you get the feeling that there was once so much more adornment. It appears to have had a fresh if slap dash white wash in recent years, but the doors are all shut and looking in, it seems to be completely empty. Some of the windows are broken as well. All I can find is a Soviet era looking block letter plaque attached to the wall that from my clumsy translations refers to the “White Synagogue of Trencin” and notes simply its “historic oriental architecture.”

There indeed is a fine synagogue in Trencin, but there will be no shabbes here. There are no Jews here. The stark, sudden and complete realization that though this building may still stand and from the outside is beautiful and all, there are no Jews here to pray with. Not tonight, and probably never again I imagine. A wave of depression and sadness flushes over me. I mean what was I thinking? Jews must have prospered here, I mean why else would you have such a grand house of worship? Sure, as if after all the pogroms, the harassment by fascists from within and without, and then the gentle graces of the Soviets and their labor camps that there would be anyone left? These are the kind of things I see every time I head into the Eastern parts of Europe and this is just the sort of internal conversation I have with myself nearly every time. Much like a child finding out over and over again that there is no Santa Claus, I have to tell myself yet again; “Jews used to live here.”

Where many of them have gone was laid out perfectly clearly for me in a confirmation class years ago at Temple Emmanuel in Oklahoma City. In our Bar Mitzvah year our teachers decided that by then we were old enough to be introduced to the grim business of Holocaust studies. We started with the notorious documentary “Night and Fog,” a French collection of Nazi state archive footage of the Final Solution in vivid action. As I stare up at the plaque bolted to the side of this abandoned schul, situated just yards away from a strip of lively cafes filled with noisy patrons all safe and secure in their surroundings, all I can think of are the flickering grainy images of open pits filled with naked, lifeless bodies presented to me in that small darkened class room. It was hard not to actually. Just today on the plane to Bratislava I read in the English language newspaper the Prague Post that the new Jewish cemetery there has once again been abused and vandalized. “Authorities are considering installing video cameras and other security measures” it reports. No Jews left around to kick it seems, so a tombstone will have to suffice I guess. On my walk back to my hotel I make special note of the “White Power” spray painted on the side of the dilapidated, but still utilized, old Soviet era soccer stadium. It’s written in English, in my guess so that foreign travelers like myself will be perfectly clear of the message. “Just so you know, you (insert gypsy, Jew, any brown skinned person, ect..) are still not welcome. Have a nice day!”

It’s strolling the rustic cobblestones of these streets I think about Native Americans and Israel strangely enough. I mean as a young Okie Jew it was mighty hard to wrap your head around the concept of people locked in a seemingly never ending death grip, even taking to killing each other over a lousy strip of land actually smaller than the entire county I grew up in. A window to my perspective: Every Sunday we’d load up the car and the family would make the 100 mile trek down I-35 from Stillwater to OKC so I could get at least a modicum of Jewish education at the conservative schul there. The temples in Tulsa were a much a shorter distance, but as the old Jewish joke about the man stranded on a desert island that built two synagogues: one to pray in and one I wouldn’t set foot in, my dad insisted we make the longer car ride south every week. Truthfully I was never fully integrated into this community either, these “big city” Jews (only the start of a long, seemingly never ending pattern of outsider status for me as it turns out) as I was singled early out as the country bumpkin who spoke with a drawl and didn’t show up for Hebrew School on Tuesdays after regular school like everybody else. Thus, my Hebrew is still appalling and I still don’t feel too comfortable around city folk.

Passing by to the right of the windshield of the old VW van were mile after mile of gently rolling open Oklahoma country side, famed for it’s deep rich soil that produced corn, wheat, alfalfa and all manner of fresh foods. As well as vast areas open to grazing for sheep and cattle. It was hard to reconcile the experience of my weekly journey through great patches of open farmland with the instruction in my Sunday school noting the small Israeli Army’s taking of relatively tiny patches of arid desert like the Gaza Strip as great victories for the Jewish People. A Jewish People which as was made very clear meant me too.
But here’s another window of perspective: all that prime land that I admired from my car seat was actually at one time a reservation for the Iowa, Sac and Fox, Pottawatomie, and Shawnee peoples, “Civilized” Tribes who were given their “Indian Territory” in perpetuity by the Bureau of Indian Affairs after they had renounced violence, abandoned their native religions, acquiesced to the introduction of enforced Christianity and “proper” western morals and education, sending their children off to “Indian Schools” where any semblance of their culture was systematically and quite literally beaten out of them. 


Really? 
But even after playing ball to such indignities from1889 to1906 the US government decided to rip up their contracts with the locals (again.) It was easy work to kick out the last remnants of a beaten down brown people now entirely debilitated by cheap whisky and small pox infected blankets, and then gleefully give out their land free to whatever freebooting white person decided to “stake his claim.” “Boomer Sooner” is the battle cry of the University of Oklahoma I was taught in college in homage of these “settlers.” But take some time to look it up and see just what kind of person these “Sooners” (creeps who snuck across the borders early to steal claims) and "Boomers" (big money financiers of poorer, soon-to-be-indentured white folks) actually were. And then consider carefully about how much honor we should bestow to such ilk. The history books trumpet this event as the “Great Land Run of Oklahoma,” but it looks like yet another wildly successful round of ethnic cleansing to me, no matter how rosy the victors wish to paint it.

I was raised in up close proximity to the decedents of this extra-special and long running New World Holocaust (1690 to present.) And thus I had been witness to the myriad levels of degradation and devastation that these actions had wrought. And how tragically and heart achingly they manifest themselves even today. To my pre-adolescent way of thinking, Jews and Native peoples seemed to have quite a bit in common; disempowered underdogs who only ever wanted to left alone to live in peaceful co-existence and who are still around despite everyone’s attempts to destroy us utterly simply for being unlike them. It was the very image that Israel worked to present to the world when I was a kid as well. This became one of the cornerstones of my personal Jewish identity in many ways.

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While writing all this down, I recall the experience of being dis-invited from a youth exchange program when I was 14. My father had wrangled hard for me a chance to spend a semester in South Africa with a family from his Rotary Club sister city. But I was yanked out of the running during the lengthy interview process; I’m pretty sure, all because I proffered the opinion that it was a terrible idea to have an oppressive and authoritarian White minority rule over so many un-empowered native people. And that I wasn’t interested in changing my opinion, no matter how fun an overseas journey might be. Mandela was still imprisoned and the nightly news showed scenes of the savage beating of protestors who only simply wanted a voice in their own affairs. It all looked too much like Kristalnacht to me, and I readily identified with the folks on the business end of the Police truncheon, rather than the well-fed white man clad in black riot gear. “You here can’t possibly understand the situation, it’s so much more complex as you imagine, I mean, the blacks are in no position to rule today.” I remember the young Afrikaner-Rotarian saying quite clearly in his genuinely honest attempts to dissuade me of such notions. “Yes, I’m not there and I can’t possibly know all the details.” I recall telling my advisor “But Apartheid is wrong. Period. It’s just wrong.” Needless to say, some less politically informed son of an Oklahoman Rotarian had a blissful few months outside Johannesburg away from his family, tucked in a safe white enclave far from the troublesome Blacks. Meanwhile, I stayed put and went noodling for Catfish with my Boy Scout troop in Lake Thunderbird instead.
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It was much later that I came to a very troublesome juncture in my though process about identity both personal and collective. When people wanted to debate things Israeli, and boy do American Jews like talking about Israel, I slowly began to realize that I as a Jew had more in common with a displaced and disempowered Palestinian than with an Israeli. You know, the un-empowered and disenfranchised folks, the people getting their doors kicked in and pulled out into the street at gunpoint. I could not, and can not, cotton the idea that a Jew could ever be the one in the riot gear, wielding a truncheon or leveling a weapon at a kid throwing rocks. And this, friends, is a very strange and uncomfortable place to be. (I take no joy in sharing the notion, though it will most likely outrage a great many folks I know. I only pray they will be able to see the situation from the filter of my own experience.)
Those who know me well understand that I have my whole life struggled greatly with the romantic notion of a “Jewish State” contrasted with the messy realities that the living, breathing, politically and socially complex place like what Israel has become. I was raised in a fairly Israel centric household for an Okie. Long ago, my mother had been a kibbutznik, picking oranges and working on her tan for a summer before she even met my father and often said she had the time of her life even though she wasn’t herself Jewish. As the Hillel director at the University of Oklahoma my father was a 24/7-full time Israel booster, a professional Zionist if you will, and seriously considered an Aliyah (the act of returning to the ancestral homeland) with the whole family in fact, though the constant threat of everyday violence in the Holy Land eventually nixed it the notion.

But the dichotomy of political realities of Nationhood mixed with the practice of a particular religion is a tough road to hoe as we say on the farm. And it’s made all the more complex when framed by the horrors of the Holocaust and the entire world’s collective shame in allowing such to happen, by golly, it all makes for a often sordid and mostly confusing conversation. It’s not a conversation many people, Jews especially, like to be open about in fact. Through my experience and and over time I have formed an opinion that the mostly assimilated Jews of America have in many ways made the idea of Israel their new "Temple," and by extension the repository of their own Jewish identity. Any conversation that includes an unfavorable review of that country’s day to day political policies then can be read as an attack against the core of one’s faith, rather than say, a respectful interest in world affairs and the struggle of Human Rights worldwide. It’s especially troubling when those policies seem from a distance appear to run contrary with the very practice of Judaism that someone like myself was raised with.

Trust me on this one non-Jewish readers, it’s a very prickly path to tread upon. I learned this the hard way once. In a lively post performance conversation on a long country drive with a completely assimilated, non- identified Jewish fiddler colleague of mine, I tried to debate as the devil’s advocate by criticizing a particularly churlish internal Israeli policy that I had read in the paper that day involving the bulldozing of Palestinian suicide bomber’s family homes, which sounded like an awful idea to me no matter how you sliced it. So upset by this stance of “betrayal” of “our people” they actually haven’t spoken a word to me this day. In an ironic twist that illustrates I think the complexity often involved with Jewish identity today, this very musician recently even changed her professional last name to be more palatable to the goyische market (and to be gentlemanly I won’t out them here.) To me this is a sign of ashamedness of not only personal family history but a clear signifier of the deepest level of Jewish self-loathing. But should you hold something other than the party line on absolute correctness the Jewish State and suddenly you’re “against us.” In the question that is Israel, even the conflicted and deeply self-loathing can magically answer as a Jew.
Ok, I must add that it’s all fine and well for a thoroughly assimilated Galutnik like me, make that an unreconstructed, tattooed, married goyische, happy-as-the-proverbial-Pig-in-a-Slop-trough Galutnik in fact, to sit in my air conditioned central Texas home and come up with my comfortable notions about what is and what should be is mighty easy, if not cowardly. But neighbors, let me tell you that a night walking the hot streets of Trencin Slovakia gave me yet a new perspective on what it really means to be Jewish in place where you are very much not welcome and makes me deeply reconsider a lot of the notions I have formed for myself up to this point.

I live in Texas and I truly believe that its been Gan Eden for me. It’s a wide-open land where anything has been possible. That there among these goyim, my culture and creed have never stood in the way, long enough albeit, of any opportunity that I ever desired. Bare in mind that last sentence was written by a man born into Payne County, Oklahoma: the shinny silver Rodeo buckle of the Southern Baptist Bible belt. I had been refused entrance into a public swimming pool on one occasion, black balled unceremoniously from a popular Fraternity (DeMolay,) and subjected to direct proselytizing nearly daily in the course of my public school education, all simply because I was a Jew, and maybe even more threateningly, quite comfortable in owning up to it. I have run the barbed gauntlet of small town, dumb as dirt and proud of it, cracker-dom my whole life (Toby Keith lived right up the road from me to give only one obvious example.) But I did it so effectively I might add that today I am faintly nostalgic for the attention it brought. That in a strange sort of Stockholm Syndrome, I am completely protective of my bygone hillbilly tormentors and will defend them, quite loudly, and speak to the nobler aspects of their (and to a great extent my own) culture of family, God, honor, respect, good fiddling, proper BBQ, hot biscuits, ect., against my Jewish Yankee buddies who would dare disparage my beloved South.

What I realize quite depressingly in my walk tonight is that I’ll bet there was a guy just like me right here in Trencin who said pretty much the same thing about his little hick hometown. Like me, I’ll reckon he couldn’t even conceive of living anywhere else, so rooted to his happy life surrounded the goyim who for the most part left him alone. “Sure, they don’t let us in all the way, and true enough sometimes around Easter some of the lummoxes will get hopped up on Jesus and vodka and beat somebody up” he would tell his buds in some other village ‘But business is good here, and we make a good life.” But almost imperceptibly one fine day, his situation started a downhill slide. The beatings got a bit more regular and a bit more vicious; the public indignities began to pile up, and the business not so good anymore. But it was better than someplace else, he kept telling himself. Much like a frog that is set into a pot of water doesn’t jump out, you can keep adding fire to the pot little by little until the water is completely boiling and the frog is then dead, completely unaware of its impending doom. So on one not so fine day, the trucks rolled in, the locals pointed out his apartment and that was that. He’s not around anymore to defend the positive aspects of Slovakian country living; of its jaunty brass bands, the beer halls filled with fine Pilsners, and of the rugged country folk who were his neighbors. Jews used to live here.
Israel, I note on a map, is a whole lot closer to Trencin than Texas. And with all its issues and complexities I reckon it would have looked like Gan Eden from that cat’s perspective. 

“History” as a wise man once said, “is a bitch.”

So here I am now, playing with a Gypsy brass band from Serbia in conjunction with a Jewish ensemble from NYC at a music festival held on the grounds of an old Soviet era airfield. Not without being painfully aware the irony, for the last few years the only paying work I have had a musician has been over here, in those places where we used to live. The only way I’ve been able to explain why so called “klezmer” music is so marketable to Europeans, and even East Europeans in fact, is to think of myself like an act in Bill Cody’s touring Wild West Show. I actually have to visualize myself as a musical Sitting Bull if you will, propped up in my native finery and prancing across the concert stage singing my Sacred Chants for a public that is only fascinated by the appearance of the proverbial “ones that got away”. I like to call it the “hospitality of the return ticket,” you can be nice just about anybody if you’re certain they aren’t here to stay. The vibe on the street is Happy, dancing Jews onstage, fine and dandy. But less than happy Jews coming back and asking for their families’ apartment and business, not so much.

Germany, which until recently was the biggest market for this music, never ever had this music there in the first place. But the collective guilt of the butcher’s children and grand children has brow beaten a public acceptance of, even a demand for, Jewish music such to the point where most performers there today aren’t even Jewish. (This is a whole other conversation actually, which gets it’s own muddled essay later.)

But here, like Krakow and Budapest and Beograd, I am now presented much like my Cherokee and Seminole classmates as the “noble savage” that can be accepted now up to a point simply because I no longer pose any threat. Lucky for the local toughs, they still have gypsies here that they can safely kick around, so finally the heat is off us Jews for once.

I’m chatting about these various observations with my good friend Brighton based clarinetist Merlin Shepherd who is on the bandstand with me tonight. Beating the heat, we stroll into the city square and find a seat at a pleasant café under the shadow of the great Orthodox Church. Speaking maybe a little too loudly in English, and being the only men with any facial hair that we have seen anywhere in town, we are certainly not from around here. Our young waitress brings us our coffee and inquires in her best English if we were here for the big festival. We said yes and that in fact we were performers, which seemed to excite her a great deal. “What do you play”” she inquires. Merlin responds matter-of-factly “Jewish and Gypsy Music.” To which our waitress literally recoils, whipping her hand over her mouth to cover her obvious shock. I can’t make this stuff up. “Is that a bad thing?” Merlin asks. “Oh no…” she says as she hurriedly shuffles away. “Was it the Jew thing or the Gypsy thing that got her?” I asked Merlin. We agree. It doesn’t really matter, does it?
Jews used to live here.



4/13/08

"Sure, you were Jewish in New Jersey...."

"..but you won't find out what that means until you get out here."
- Robert H. Rubin, Stillwater OK, 1970

Seems my old man gave a good interview, so I come by it honestly I guess. Here he is featured in a publication called JPSP, explaining the Jewish Experience at at an Oklahoma Ag-Tech College. Those who know me well will here echoes of his verbiage in both my language and my attitudes today.

Dig it:



Bonus: My first public appearance as a Jew, age 5. And they got my name wrong, presaging my relationship with journalism and writers for many years to come.

4/3/08

It bears repeating

My old pal Dale Watson sent me a link for an interview he gave recently for Atlanta's Creative Loafing. As usual, he was eloquent in his assessment with what is lacking in not only Country music as it is practiced today, but music in general.

Of particular resonance with me was this observation about the singers working the cuircut today:
"A lot of these guys don't even know the country standards, the songs you always heard and had to know," Watson says, calling in from his Austin home. "You couldn't get onstage anywhere in any honky-tonk and not know 'Your Cheatin' Heart,' but some don't." Watson says most of the new country boys and girls who came along during the '80s and '90s had no roots -- they just started doing country music a year before they had their record."

In the very same issue, I noticed another interview with Bob Mould, one of the small fraternity of musicians who used to crash at my house in Norman Oklahoma during the mid-80's punk rock explosion. Like Watson, he is touring behind a new release and he too spoke to the shift in culture that has lead to the state of affairs music finds itself in today:

"The current state of the business is enough to get a man all worked up, but today's Mould discusses it calmly, with a sense of humor. "Music used to be a religion to people, and now it's simply an accessory," Mould said by phone from his Washington, D.C. home.

The singer/composer recalled the sacred ritual of procuring vinyl records in his youth. First, you saved up your money from the crap job you hated, caught the bus to your downtown record shop where you frantically perused all the hip music magazines to see what was worth a listen. You took hours making your selections before working up the nerve to see if your selections were good enough to escape the disdain of the hip employees who rang up your purchases. Even then you wouldn't know if you had wasted your hard-earned money until you unwrapped the cellophane and put the platter under the needle for the first time.

Now, the journey is only as far as a keyboard. "It wasn't as easy as walking to a laptop and going, 'Look, an MP3 blog with 38 new songs that aren't even out yet,'" says Mould. "I'll just download all of those. I have no idea what the artwork is, I don't care anything about the band, maybe there's 15 seconds in here that speaks to me. If it does, I'll drag it into my iTunes library and maybe I'll remember it's there tomorrow.

Mould says he wouldn't have made it in the current marketplace. "If I was coming up now, I'd just throw my hands up and go 'This is nonsense,'" he says. He thinks he'd be better off as a graphic artist, a painter or perhaps in social work. "I think that's always a good alternative to music, to get out in the community and help people less fortunate," he says. "You're actually gonna have a much richer life than if you try to be a musician."

Now, the casual reader, a younger music fan perhaps, might think from these riffs that these guys are complaining or are bitter or even burnout. But in reality they are simply reporting accurately on the field they find themselves in. Both Watson and Mould are about my same age and experience, albeit with quite a lot more commercial success than I've had, and both are cats I respect a whole lot, though in completely different ways.

Personally I find it encouraging that even in the current atmosphere of "good-enough" that they strive to continue to make "great."

12/12/07

Ugly Sweater Party

So every year my old pal Lucinda throws a Holiday party at her and her husband's lovely house in the Oak Cliff neighborhood or Dallas. December is the first time we Texans pull out our sweaters from storage, and then only when there's a little nip in the air at night in fact. The concept for her party is that you have to show up with the ugliest sweater you can find. There are prises for the most appalling and vile sweaters. To date, I have been unable to attend but this year I did find a vintage photo of myself in a poorly chosen sweater and submitted it for the contest.

I share with you now, clipped from the Daily Norman (OK) Transcript, 10/28/81, from an article about the naming of the Norman High Student Congress, representing the marching band, yours truly:

11/30/07

The frighteningly swift end of Traditional Culture

It's hard for me to admit it, but in my relatively short life in music I have witnessed the demise of a traditional art here in Texas, Puro Conjunto better known as Tex-Mex music. It's a long sad story that I will relate here someday, but suffice it to say you've probably seen and heard the last of the traditional San Antonio style Mexican American dance band in it's native environment. It sure will live on I'm sure on festival stages here and there, but only as a faint echo of a once vibrant culture. Texas Bohemian and Czech music is on it's knees for years and doesn't look too well, and Brian Marshall has completely shuttered his Polish dance band for simple lack of interest in his own community.

Then I read this Time article on Polka music and it's current status. My folks used to travel from our home in Northern Oklahoma to polka halls in Kansas and Nebraska, and I grew up in a house where Square Dance and Polka music were family activities. It explains a lot about my musical career since. I passed the Times link around to my local Polka people and they shared with me their perspectives.

From Brian Marshall:
"it's happening everywhere...I played in Eunice, LA last Saturday at the The Liberty Theater (with a Cajun band)...a well known gathering place....played to a crowd of about 90 people.

I believe it's just a cycle...there will always be a desire for the traditional styles....but maybe never as prominent as it once was."

And from Jeff Brosch, drummer for Mark Halata & Texavia and son of legendary Texas Czech band leader Jimmy Brosch:

"Interesting article. The decline of Polka is not news to me. I've watched decline for the past 20 years. It started in the late 70's actually. Of coarse I can only base this from playing with my dad. I did get to witness Polka it in it's hey day however. Large crowds, Etc. But even my dad wanted to play something more progressive like country music.
He always found he could draw a bigger crowd if you played everything, not just Polka.

Did I mention? I think Polka is really a blue collar love affair.

I've never met a millionaire that wanted to hire or sponsor a Polka band.
But if you mention a name brand artist then they're all over it. The sky is the limit for payment.

Playing Polka took me to many Czech wedding parties. I was NEVER over paid. Often negotiating downward to play the wedding and stay booked up. The caterer was making $5000 and the band made $500. Make sense?

The next generations of Czechs are more educated, more employed, more successful, therefore more removed from the immigration process of past years. Not really embracing there heritage. So... the culture is simply a VERY watered down version of past generations.

I can't every see this changing again in my lifetime."

Sadly, nor can I.

Insert YOUR culture here and pause for a moment. What do we lose when we let go of an unbroken chain like this? Or do we simply get the culture we deserve?

11/28/07

KGOU and the trick of memory

Found this in my email in box today:

Hello, fellow KGOU alumni: In January, KGOU is celebrating its new studios and the 25th anniversary of becoming a public radio station. You and any significant others are invited to a reunion! When: Saturday, January 19, 2008 11 a.m. – 3 p.m. (Come and go) Where: KGOU’s new studios, Copeland Hall, Room 313, on the OU campus What: Free pizza and salad buffet There’s a place on our website to leave contact info, RSVP, take virtual tours of the old and new facilities, and share your memories: http://www.kgou.org/reunion.php I know some of you date back to the pre-public radio days (me, too!). Come swap stories and see what has become of KGOU! Laura Knoll Membership Director/Webkeeper KGOU

Here's my RSVP:

Hello Laura,

Though charmed as I am to be included, and genuinely surprised that you found me, I reckon you're not familiar with my tenure there at KGOU as host of "Roots, Rock, Reggae." Nor I guess are you aware with the circumstances of my swift dismissal there and acrimonious departure which would preclude my wanting to be feel even a tad positive, much less nostalgic about a reunion.
I am however cheered by the notion that the guy who gleefully fired me dropped dead soon after, so no chance running into him again any day soon. At least, I hope. Regardless, all the best and congratulations on the milestone, Mark


Oh dear, there are soooo many stories I could tell you about hosting alternative radio is a two-horse Midwestern college town. A lot of my musical life from 1981 up until they kicked me out in 1983 was wrapped up in co-hosting a weekly, 3 hour heavy manners Jamaican Reggae radio show. Back before the Wal-Mart like NPR uniformity was brought on, just like here in Austin today and everywhere everywhere else, there were a handful of pretty damn well programmed Alternative Radio shows in KGOU.

That is, until John Mooneyham played FEAR's "Fuck Christmas" one lovely Christmas Eve. I was actually there in the control room when a boozed up University booster, dragging along his equally inebriated trophy wife, stormed the station hurling epithets and then actually swing punches at the hapless DJ, while myself and a few other local punks mocked and laughed at them gleefully. In the aftermath, we were all one by one singled out and cashiered in the fallout, and when they finally succumbed to the NPR juggernaut, I lost my paying gig there as a Classical announcer, simply by dint of association.

Truth is, I was in that control room quite a bit, sampling the newest releases from the library in the production studio while John, or Kurt on "Fear Of Music" or some other local freak was playing the latest Bauhaus 12 inch dance mix at 2am. For me, it was a finishing school for the radio end of the music business and a genuine education. More than I ever got in the RTF department there I assure you.

It would be years later before I got a chance at the radio again, this time at KUT. But alas, nearly the same series of events occurred here as well, and no longer will you hear my programming on the radio. Trust me when I say I'm not too sad about it however, as anyone can see it's essentially a dying, if not already dead, medium.

1/3/07

Klez Kamp 2006 Wrap Up

Well, rather than mirror it all here, just go to the official Klez Kamp Blog of which I was one of many contributors. Stuff happened. Quite a lot actually. Some of which I will relate here (and there) when I get back to Texas.

Tonight however I find myself in Guthrie Oklahoma, home to the Jazz Banjo Hall of Fame and Byron Berline's Double Stop Fiddle shop. Both of which I hope to be visiting after breakfast.

And no, I didn't stop in Stillwater on the way home either...Link

12/15/06

In those Oklahoma Hills where I was born....

Folks, I am not a big "letter to the editor" writer but I felt compelled to chime in on this little piece that a fellow emailed me. First read the article, then read my letter. Or not. It's all my own mishegoss really:


Dear Editor,

I was just today directed to your article dated Dec. 8th in reference to the opening of a Hillel Foundation at OSU.

I myself was born and raised in Stillwater where my father Robert Rubin was at varying times the Executive Director of Kappa Kappa Psi National Marching Band Fraternity, head of the OSU International Student Association and for many years the announcer for the mighty Cowboy Marching Band. We were also at the time (1961-1976) one of the few practicing Jewish families in Stillwater or at the University.

To clarify Dr. Gethner's point: “A decision was made about 50 years ago not to ask the SGA for money, due to the anti-Semitism in the air at the time.” That "air" was in fact the same I took my first breaths with. I can speak with pointed experience that unabashed anti-Semitism was a part of daily life growing up there as late as the 1970's, ranging in exposure from the personal to the institutional. From no admission to the local Country Club or fraternal orders, to Protestant Christian doctrine taught daily in the public schools, to swastikas painted on the family home's door and odd brick thrown through the window emblazed with "Juden Gerauch." The "Protocols of the Elders of Zion" was available free of charge at the barber shop on 6th Street where I got my first haircut, and on more than one occasion I was asked by my more devout Christian school mates to show them my horns.

Now, it wasn't simply Jews singled out for abuse mind you, this xenophobia extended to anyone outside of the "traditional American" mold. I recall with great sadness that the children of Hindu and Pakistani OSU students where routinely singled out for ridicule and exclusion in the playgrounds of Married Student housing. As were young Native Americans who were yearly forced to dress up as settlers and re-enact the Great Land Rush at school. (Which would essentially be like asking me to dress up in a brown shirt and armband and re-enact Krystalnacht once a year.) Catholics were regularly referred to as "Papists," and it was years until I understood that N-----r was a epithet, having hearing it so often in passing reference to an African American.


Not Borat from Khazakstan. But not so long ago in Payne County OK, USA.

True enough as your writer points out, it was a long way to the synagogues in OKC, Tulsa and even Ponca City where we would gather with the small congregations of dairy farmers, educators and small business owners who made up the Jewish community of my youth. Many of who had only a few decades earlier fled the unspeakable horrors of wartime a Europe only to find the same simplistic prejudices set firmly into the social fabric of small town Oklahoma. Many of these folks, one of whom had as a young man personally funded the establishment of the first Christian Church building in Stillwater, had grown too old to safely travel for services. (A conundrum when you note it's strictly forbidden to travel or work on the Jewish Sabbath, but the desire to worship with fellow believers so strong as to allow a slight bending of the rules.) At bare minimum, most felt completely placed entirely apart from their "gentile" neighbors. For these reasons my father decided to hold regular services there for the faithful in Stillwater in a spare room of the Methodist Student Association, a example of Christian charity and kindness that will be long remembered.

That was until late 1976 when my father was approached to re-open the defunct Hillel Foundation at the University of Oklahoma in Norman, where he served as Director and small "r" rabbi of the Jewish Community there until his passing in 1982. We left OSU and Stillwater and I have never, ever returned. Yes, we found a home in Sooner Land. And say what you will about OU, but no one ever called me a "kike" in Norman.

In conclusion I wish to heartily applaud the efforts of those who wish to revive Hillel at OSU. And pray that, baruch hashem (God willing,) we all work to grow away our bigotry and promote understanding and tolerance wherever we are. Maybe someday I can free myself from own personal biases and again feel welcome to visit the town where I was born.

With respect,


Mark Rubin

Austin TX

9/7/06

The Past Sure Is Tense, and how....

Once again, proof positive that you cannot hide, especially in the internet age.

Witness a blog devoted to punk rock shows I help promote in my native Norman OK, low these many years ago.

Photos of my goofy red mohawk years cannot be too far behind.

I am afraid. Very afraid.