The Peon and the Patron

I've been thinking a lot about patronage and peonage these days. Times are such that the arts are required to make their own way or simply go away. Everyday someone tells me how they heard my music on Spotify, and I guess that's cool. But they used to say that they bought my CD and enjoyed it. Now the trend is to not buy anything and just stream it all. Great for the listener, but it begs the question: Why should the artists continue to create content for a community that doesn't value it, even when they claim they enjoy it? Are we only to enjoy art made by the idle rich, the only people who can afford to produce it? I spent over $3000 on my last CD release and have to date recouped less than $500. Are my releases simply vanities? Dynamic conversations on every end of the question.

But frankly, I'm too old to get into all the arguments. All I can do is say "Here's my catalog."  If you like what I've been putting down all these years, then let me know the only meaningful way you can in our present society and buy something. Anything. Every little bit counts, even the .0057 cents I received from a years worth of my music streaming on Spotify:


First Review in for Texas Fiddle-Okie Guitar

"Texas fiddler Sean Orr and Texas-based, Okie guitarist Mark Rubin say there's no "right" way to play Texas fiddle, but they're wrong. THIS is the right way to play Texas fiddle. Full of heart, brimming over with camaraderie, rough-hewn and rowdy, dusty as hell, and beholden to no man. There's a freedom in this music and a powerful sense of love. All the things that make Texas great."