It's hard for me to admit it, but in my relatively short life in music I have witnessed the demise of a traditional art here in Texas, Puro Conjunto better known as Tex-Mex music. It's a long sad story that I will relate here someday, but suffice it to say you've probably seen and heard the last of the traditional San Antonio style Mexican American dance band in it's native environment. It sure will live on I'm sure on festival stages here and there, but only as a faint echo of a once vibrant culture. Texas Bohemian and Czech music is on it's knees for years and doesn't look too well, and Brian Marshall has completely shuttered his Polish dance band for simple lack of interest in his own community.
Then I read this Time article on Polka music and it's current status. My folks used to travel from our home in Northern Oklahoma to polka halls in Kansas and Nebraska, and I grew up in a house where Square Dance and Polka music were family activities. It explains a lot about my musical career since. I passed the Times link around to my local Polka people and they shared with me their perspectives.
From Brian Marshall:
"it's happening everywhere...I played in Eunice, LA last Saturday at the The Liberty Theater (with a Cajun band)...a well known gathering place....played to a crowd of about 90 people.
I believe it's just a cycle...there will always be a desire for the traditional styles....but maybe never as prominent as it once was."
And from Jeff Brosch, drummer for Mark Halata & Texavia and son of legendary Texas Czech band leader Jimmy Brosch:
"Interesting article. The decline of Polka is not news to me. I've watched decline for the past 20 years. It started in the late 70's actually. Of coarse I can only base this from playing with my dad. I did get to witness Polka it in it's hey day however. Large crowds, Etc. But even my dad wanted to play something more progressive like country music.
He always found he could draw a bigger crowd if you played everything, not just Polka.
Did I mention? I think Polka is really a blue collar love affair.
I've never met a millionaire that wanted to hire or sponsor a Polka band.
But if you mention a name brand artist then they're all over it. The sky is the limit for payment.
Playing Polka took me to many Czech wedding parties. I was NEVER over paid. Often negotiating downward to play the wedding and stay booked up. The caterer was making $5000 and the band made $500. Make sense?
The next generations of Czechs are more educated, more employed, more successful, therefore more removed from the immigration process of past years. Not really embracing there heritage. So... the culture is simply a VERY watered down version of past generations.
I can't every see this changing again in my lifetime."
Sadly, nor can I.
Insert YOUR culture here and pause for a moment. What do we lose when we let go of an unbroken chain like this? Or do we simply get the culture we deserve?
Friday, November 30, 2007
Wednesday, November 28, 2007
KGOU and the trick of memory
Found this in my email in box today:

Hello, fellow KGOU alumni: In January, KGOU is celebrating its new studios and the 25th anniversary of becoming a public radio station. You and any significant others are invited to a reunion! When: Saturday, January 19, 2008 11 a.m. – 3 p.m. (Come and go) Where: KGOU’s new studios, Copeland Hall, Room 313, on the OU campus What: Free pizza and salad buffet There’s a place on our website to leave contact info, RSVP, take virtual tours of the old and new facilities, and share your memories: http://www.kgou.org/reunion.php I know some of you date back to the pre-public radio days (me, too!). Come swap stories and see what has become of KGOU! Laura Knoll Membership Director/Webkeeper KGOU
Here's my RSVP:
Hello Laura,
Though charmed as I am to be included, and genuinely surprised that you found me, I reckon you're not familiar with my tenure there at KGOU as host of "Roots, Rock, Reggae." Nor I guess are you aware with the circumstances of my swift dismissal there and acrimonious departure which would preclude my wanting to be feel even a tad positive, much less nostalgic about a reunion. I am however cheered by the notion that the guy who gleefully fired me dropped dead soon after, so no chance running into him again any day soon. At least, I hope. Regardless, all the best and congratulations on the milestone, Mark
Oh dear, there are soooo many stories I could tell you about hosting alternative radio is a two-horse Midwestern college town. A lot of my musical life from 1981 up until they kicked me out in 1983 was wrapped up in co-hosting a weekly, 3 hour heavy manners Jamaican Reggae radio show. Back before the Wal-Mart like NPR uniformity was brought on, just like here in Austin today and everywhere everywhere else, there were a handful of pretty damn well programmed Alternative Radio shows in KGOU.
That is, until John Mooneyham played FEAR's "Fuck Christmas" one lovely Christmas Eve. I was actually there in the control room when a boozed up University booster, dragging along his equally inebriated trophy wife, stormed the station hurling epithets and then actually swing punches at the hapless DJ, while myself and a few other local punks mocked and laughed at them gleefully. In the aftermath, we were all one by one singled out and cashiered in the fallout, and when they finally succumbed to the NPR juggernaut, I lost my paying gig there as a Classical announcer, simply by dint of association.
Truth is, I was in that control room quite a bit, sampling the newest releases from the library in the production studio while John, or Kurt on "Fear Of Music" or some other local freak was playing the latest Bauhaus 12 inch dance mix at 2am. For me, it was a finishing school for the radio end of the music business and a genuine education. More than I ever got in the RTF department there I assure you.
It would be years later before I got a chance at the radio again, this time at KUT. But alas, nearly the same series of events occurred here as well, and no longer will you hear my programming on the radio. Trust me when I say I'm not too sad about it however, as anyone can see it's essentially a dying, if not already dead, medium.

Hello, fellow KGOU alumni: In January, KGOU is celebrating its new studios and the 25th anniversary of becoming a public radio station. You and any significant others are invited to a reunion! When: Saturday, January 19, 2008 11 a.m. – 3 p.m. (Come and go) Where: KGOU’s new studios, Copeland Hall, Room 313, on the OU campus What: Free pizza and salad buffet There’s a place on our website to leave contact info, RSVP, take virtual tours of the old and new facilities, and share your memories: http://www.kgou.org/reunion.php I know some of you date back to the pre-public radio days (me, too!). Come swap stories and see what has become of KGOU! Laura Knoll Membership Director/Webkeeper KGOU
Here's my RSVP:
Hello Laura,
Though charmed as I am to be included, and genuinely surprised that you found me, I reckon you're not familiar with my tenure there at KGOU as host of "Roots, Rock, Reggae." Nor I guess are you aware with the circumstances of my swift dismissal there and acrimonious departure which would preclude my wanting to be feel even a tad positive, much less nostalgic about a reunion. I am however cheered by the notion that the guy who gleefully fired me dropped dead soon after, so no chance running into him again any day soon. At least, I hope. Regardless, all the best and congratulations on the milestone, Mark
Oh dear, there are soooo many stories I could tell you about hosting alternative radio is a two-horse Midwestern college town. A lot of my musical life from 1981 up until they kicked me out in 1983 was wrapped up in co-hosting a weekly, 3 hour heavy manners Jamaican Reggae radio show. Back before the Wal-Mart like NPR uniformity was brought on, just like here in Austin today and everywhere everywhere else, there were a handful of pretty damn well programmed Alternative Radio shows in KGOU.
That is, until John Mooneyham played FEAR's "Fuck Christmas" one lovely Christmas Eve. I was actually there in the control room when a boozed up University booster, dragging along his equally inebriated trophy wife, stormed the station hurling epithets and then actually swing punches at the hapless DJ, while myself and a few other local punks mocked and laughed at them gleefully. In the aftermath, we were all one by one singled out and cashiered in the fallout, and when they finally succumbed to the NPR juggernaut, I lost my paying gig there as a Classical announcer, simply by dint of association.
Truth is, I was in that control room quite a bit, sampling the newest releases from the library in the production studio while John, or Kurt on "Fear Of Music" or some other local freak was playing the latest Bauhaus 12 inch dance mix at 2am. For me, it was a finishing school for the radio end of the music business and a genuine education. More than I ever got in the RTF department there I assure you.
It would be years later before I got a chance at the radio again, this time at KUT. But alas, nearly the same series of events occurred here as well, and no longer will you hear my programming on the radio. Trust me when I say I'm not too sad about it however, as anyone can see it's essentially a dying, if not already dead, medium.
Saturday, November 24, 2007
Why my hometown is cooler that yours, continued..
OK, let's assume your done with the turkey leftovers like we are here at Casa Hasta no Vista. While everybody else seems to head for the malls, we sleep late, crawl into our PJs and head up Lamar Blvd. to Fuego's.
It's kinda tricky to get to as they are in a terrible location, accessible only from the south bound access road where Hwy 183 meets Lamar. But people, it's well worth the hassle. The menu is California style Mexican which is quite a bit different than the manteca based Tex-Mex we have around here mostly. Pictured is my favorite, the Carne Asada Fries, which are just what is says it is. They have possibly the finest salsa verde in town, though Taqueria Arandas #3 on Burnet Rd. may still hold that title.
It's a little Mom and Pop operation dedicated to the slow food experience of fresh ingredients prepared to order. The experiences we've had there routinely rival the finest gourmet restaurants. Like many small independent businesses, they're struggling to stay open, but folks seem to be catching up with the place. Do your self a favor and check it out. The Cheese Enchilada plate, the Shrimp Scamp and the entire breakfast menu (Lemon Ricotta Pancakes!) all get high marks in our household. Call ahead as they are closed at some mighty odd times. (512) 524-1164
Labels:
austin,
Fuegos authentic mexican,
great food
Sunday, November 11, 2007
At long last...

Finally, a pop culture term for these snot nosed punks I have to contend with.
Anybody see 60 Minutes tonight? Boy was I happy to see that I'm not the only one who thinks this latest batch of kids coming up is entirely sheltered, over pampered and weak of character. Personally, I thought it was only in the performing arts field where I live and work. But it seems this "me, me, I deserve whatever I want because I'm special" spoon-fed, Mr. Rodgers generation is genuinely pathetic right across the board. (In Austin they tend to gather most regularly on a stage at a overpriced BBQ joint downtown called Lamberts if you feel like checking out such a geek show.)
To be clear, it's not their fault really, it's their idiot parents who thought Hawk a fine first name and that "little Billy just doesn't thrive in a structured environment, so we've worked to create a comforting place where he can find his true nature free of the strictures of traditional society" kinda horse shit I see everyday in my day job. Methinks the white slave trade will soon enough be filled to the brim when these dubiously enfranchised and fully empowered knuckleheads hit the cold reality that the rest of the world has to wake up to every day. ("Hostel, the Series: this time it's for real...")
George Carlin hipped me to this sad trend in 1999 when he riffed on an HBO special called "You Are All Diseased" about "these kids today, they're being raised fruity and soft." (Look, you read this rant and tell me it doesn't ring a bell with you.) Now they have a word for these folks, they're called the Millennial Generation, and boy do I really dislike the prospect of having to live in a culture where they'll be in charge. Today these dolts think the Weary Boys are Bluegrass and the Moonhangers are mistaken for Country. Amazing as the prospect is, it really could get much worse.
Spare the rod and then answer to these rudderless people of no manner. Argh! I'm so pissed I cannot even write about it without my head exploding!!! Here, read this stuff and pray for me:
Whassup? A Glimpse Into the Attitudes and Beliefs of the Millennial Generation
What ever happened to "show up on time or you're fired."
Here's what: Managing Millennials In other words, their parents screwed up and now it's your job to tell them how to behave like adults. Can you believe this shit?
Generation X and The Millennials: What You Need to Know About Mentoring the New Generations ("mentoring?" How about get a job, hippie!!)
Come to think of it, here's a generation that could truly benefit from a National Draft. And not like our old ones where you could buy your way out of it, or get drummed out for "emotional" problems (even our Military is reduced to molly coddling it seems.) Lord know we'll be making War somewhere in the world for years to come, generations I'll bet.
A few weeks dodging IED's in the Sunni Triangle and I'm sure we'll all be singing a different tune.
Thursday, November 08, 2007
New Slogan for Austin Texas
So I'm working with some folks who are trying to come up with a new slogan for Austin TX. "The Live Music Capital of the World" is actually Branson MO, and hasn't really applied here for some time, its much more like "Live Rehearsal Capital of Central Texas" these days.
The copywrited and franky sad old hippie hangover "Keep Austin Weird" has spawned such great parodies as "Keep Round Rock Normal" and "Keep Plugerville Phunky," thus far but we won't be heading in that direction.
So we're trying to come up with a snappy bumper sticker slogan that captures the true nature of Austin today. Here's the first few passes:
"Austin, California Rent with Arkansas Wages"
Correct, but a bit of a downer. How about:
"Austin, NYC Rent with NJ Culture"
But that doesn't work as we don't have a pizza joint worth mentioning actually..
The best I could come up with is:
"Austin, where you can live like a King for years off the the profits of selling your house in Simi Valley or whatever Godforsaken hellhole you crawled out of."
But its not exactly bumper sticker material. Sadly very true however
You got one?
The copywrited and franky sad old hippie hangover "Keep Austin Weird" has spawned such great parodies as "Keep Round Rock Normal" and "Keep Plugerville Phunky," thus far but we won't be heading in that direction.
So we're trying to come up with a snappy bumper sticker slogan that captures the true nature of Austin today. Here's the first few passes:
"Austin, California Rent with Arkansas Wages"
Correct, but a bit of a downer. How about:
"Austin, NYC Rent with NJ Culture"
But that doesn't work as we don't have a pizza joint worth mentioning actually..
The best I could come up with is:
"Austin, where you can live like a King for years off the the profits of selling your house in Simi Valley or whatever Godforsaken hellhole you crawled out of."
But its not exactly bumper sticker material. Sadly very true however
You got one?
Sunday, November 04, 2007
Thursday, November 01, 2007
Fat Man with small Ukulele
Here's a glimpse of my life at my day job, Violins, Etc. I'm nominally in charge of the basses and the "Etc." so the boss decided to have a TV ad that showed what we had in stock presently. (Eagle eyed viewers will note uke master Pops Bayless on mandolin and charango, but some other dude on uke, go figure....)
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